Elizabeth bishop essay questions
The last stanzas are curious one, deviating wildly from the previous sections of the poems. The poem starts off with a clear addresser, who is a speaker figure that is acting as the writer of the poem, communicating via the path of verbal communication to a known addressee, the reader. This foregrounding of the questions makes it seem that the poem is ending on a note that asks the reader to decide for themselves their stance on this subject.
The speaker is putting across that these concepts are not so different, in the same way in the previous stanza it put across the lack of difference between the exotic and home. Coupled with the fact that Bishop was strongly influenced by her surroundings while writing poetry, and was fond of autobiographical works, it is quite unlikely that the speaker persona is one completely opposed to her own personality. The question arises of how Bishop could have written this poem, unless the stylistic analysis has made an incorrect conclusion.
One article puts forth that what the reader is meant to infer from the poem is that Bishop believes no, we should not have stayed at home Boyd. Miller, Brett C.
Berkeley: University of California Press. Boyd, William. The Guardian.
Elizabeth Bishop’s Questions of Travel: Fifty Years After
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Notify me of new posts via email. London: Longman. New York: Routledge. London: Pimlico. Yet at times man is conceived as no different from nature, as revealed in ' In the Waiting Room ' where it is the natural state of a woman's body that provokes the narrator into existential meltdown.
An Analysis of Elizabeth Bishop's 12 O'Clock News Essay
Bishop's work is often seen by critics as a poetry of precision. Indeed, an accuracy to portraying the external world is a significant feature of her works. In a poem such as 'The Sandpiper', this becomes as intricate as describing the gaps between grains of sand on a beach. It is this precision that gives her poetry a scientific whiff; Bishop approaches the artform of poetry as if it were an empirical study, and her work thrives off this analysis.
Closely associated with her precision, is her minimalism. Greatly influenced by Ezra Pound's philosophy and Marianne Moore's mentorship of stripping the poem to its bare minimum while retaining - and as a result increasing - its potency, Bishop would spend years and years upon a single poem that might end up only being a few lines or stanzas long.
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Despite being precise, minimalist and scientific, Bishop's poems are pervaded with a sense of mystery which borders on the magical. This is evoked actually through her precise, often defamiliarizing descriptions of the everyday. For example the cans in 'The Filling Station' that appear to "softly speak" or the striking rainbow of 'The Fish'. Rather than being in opposition to one another, it is the scientific precision of her poetry itself which feeds into the theme of mystery.